Understanding Zohran Mamdani's Sartorial Statement: What His Suit Reveals About Modern Manhood and a Shifting Culture.
Coming of age in the British capital during the noughties, I was always surrounded by suits. They adorned businessmen rushing through the financial district. They were worn by dads in Hyde Park, kicking footballs in the golden light. At school, a inexpensive grey suit was our mandatory uniform. Traditionally, the suit has served as a uniform of gravitas, projecting power and professionalism—traits I was expected to aspire to to become a "man". Yet, until recently, my generation seemed to wear them less and less, and they had largely vanished from my consciousness.
Subsequently came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a private ceremony dressed in a sober black overcoat, pristine white shirt, and a distinctive silk tie. Riding high by an ingenious campaign, he captured the public's imagination like no other recent mayoral candidate. Yet whether he was celebrating in a music venue or attending a film premiere, one thing remained largely unchanged: he was almost always in a suit. Loosely tailored, contemporary with unstructured lines, yet conventional, his is a quintessentially professional millennial suit—that is, as common as it can be for a cohort that rarely bothers to wear one.
"The suit is in this strange place," notes men's fashion writer Derek Guy. "Its decline has been a slow death since the end of the Second World War," with the real dip coming in the 1990s alongside "the rise of business casual."
"It's basically only worn in the most formal settings: weddings, funerals, to some extent, court appearances," Guy explains. "It is like the traditional Japanese robe in Japan," in that it "essentially represents a custom that has long retreated from everyday use." Numerous politicians "don this attire to say: 'I am a politician, you can trust me. You should vote for me. I have authority.'" But while the suit has traditionally signaled this, today it performs authority in the hope of winning public trust. As Guy clarifies: "Because we are also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of performance, in that it enacts manliness, authority and even proximity to power.
Guy's words stayed with me. On the rare occasions I require a suit—for a wedding or formal occasion—I retrieve the one I bought from a Japanese department store several years ago. When I first picked it up, it made me feel refined and high-end, but its tailored fit now feels outdated. I suspect this feeling will be only too recognizable for numerous people in the diaspora whose families come from somewhere else, especially developing countries.
It's no surprise, the everyday suit has lost fashion. Like a pair of jeans, a suit's silhouette goes through trends; a specific cut can thus characterize an era—and feel rapidly outdated. Take now: looser-fitting suits, echoing a famous cinematic Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a significant investment for something likely to be out of fashion within five years. Yet the appeal, at least in certain circles, persists: recently, department stores report tailoring sales increasing more than 20% as customers "move away from the suit being everyday wear towards an appetite to invest in something special."
The Symbolism of a Accessible Suit
The mayor's go-to suit is from a contemporary brand, a Dutch label that sells in a moderate price bracket. "Mamdani is very much a reflection of his background," says Guy. "A relatively young person, he's neither poor nor extremely wealthy." Therefore, his moderately-priced suit will resonate with the demographic most likely to support him: people in their thirties and forties, college graduates earning professional incomes, often discontented by the cost of housing. It's exactly the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits arguably don't contradict his proposed policies—which include a rent freeze, building affordable homes, and free public buses.
"It's impossible to imagine Donald Trump wearing Suitsupply; he's a Brioni person," says Guy. "As an immensely wealthy and grew up in that New York real-estate world. A status symbol fits naturally with that elite, just as more accessible brands fit well with Mamdani's cohort."
The history of suits in politics is long and storied: from a former president's "controversial" tan suit to other world leaders and their suspiciously polished, tailored appearance. As one British politician discovered, the suit doesn't just dress the politician; it has the potential to define them.
Performance of Banality and Protective Armor
Maybe the point is what one scholar refers to the "enactment of ordinariness", invoking the suit's historical role as a standard attire of political power. Mamdani's particular choice taps into a deliberate understatement, not too casual nor too flashy—"conforming to norms" in an unobtrusive suit—to help him connect with as many voters as possible. But, some think Mamdani would be cognizant of the suit's military and colonial legacy: "The suit isn't apolitical; historians have long noted that its modern roots lie in military or colonial administration." It is also seen as a form of protective armor: "It is argued that if you're from a minority background, you aren't going to get taken as seriously in these white spaces." The suit becomes a way of signaling legitimacy, perhaps especially to those who might question it.
This kind of sartorial "code-switching" is hardly a recent phenomenon. Indeed iconic figures previously donned formal Western attire during their early years. These days, other world leaders have started exchanging their typical fatigues for a dark formal outfit, albeit one without the tie.
"Throughout the fabric of Mamdani's image, the struggle between insider and outsider is apparent."
The suit Mamdani chooses is highly symbolic. "Being the son of immigrants of Indian descent and a democratic socialist, he is under scrutiny to conform to what many American voters look for as a marker of leadership," says one author, while at the same time needing to navigate carefully by "not looking like an establishment figure betraying his distinctive roots and values."
Yet there is an acute awareness of the double standards applied to suit-wearers and what is read into it. "That may come in part from Mamdani being a younger leader, able to assume different identities to fit the occasion, but it may also be part of his multicultural background, where code-switching between cultures, customs and clothing styles is common," it is said. "Some individuals can remain unnoticed," but when women and ethnic minorities "attempt to gain the authority that suits represent," they must meticulously navigate the expectations associated with them.
In every seam of Mamdani's official image, the tension between belonging and displacement, insider and outsider, is visible. I know well the awkwardness of trying to conform to something not designed with me in mind, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in public life, image is not neutral.